“Prince Gobbledygook wears his heart on his head and his headache is akin to a heart attack”.
Prior to reading Tes Mekonnen’s Happyland, I wasn’t quite sure what to expect. Modern fairytales are not a new addition to the world of books, however Happyland without a doubt stands on its own as a wonderfully weird read, filled with delightfully quirky concepts and innovative linguistic devices. Not to be confused with the kind of traditional fairy tale that sadly, many young adults may be quick to write off as ‘been there, done that’, the book is a thought-provoking yet humorous read, that will likely satisfy language lovers of a whole range of ages.
On the surface, the story tells of the inexplicably sad Lily Marshmallow, who is discovered by Prince Goobledygook and led henceforth to a promised land of sorts, known to the Prince as Happyland. Sounds pretty stereotypical, prince meets potential princess, they face a significant life event together, and live happily ever after, right? However, the story is far from being a fictional fairy tale. Instead, the characters’ journey tells of Tes Mekonnen’s own story, and his perceptions of modern society. Here’s what he had to say about how his own life experiences infuse into his book:
Lily Marshmallow is not an object or some weak woman that requires a man to save her. She is Life. Prince Gobbledygook is in some sort of purgatory and she is his mirror. I must emphasize this—Lily Marshmallow is Life and Life doesn’t talk and we all want to fight for it. I tried to infuse my philosophy into Happyland.
Prince Gobbledygook is the now.
Lily Marshmallow is Life.
Adolfo Dumfries is Future (a cautionary tale).
Leopold Balthazar II is Past.
This story might be fictitious, but it explains my journey for seeking happiness.
Without a doubt, my favourite aspect of the book is the attentive use of creative language. The writing is jam-packed full with linguistic devices, from double entendres and words with multiple meanings being deliberately misused for comedic effect, to plays on words creating irony and humorous character descriptions that are integral to the story. The oxymoron effects were particularly satisfying, especially the fact that the word ‘oxymoron’ was itself used as an insult later on in the book: I am now fully intent on using ‘oxymoron’ as an insult of my own, for the rest of my existence. The only occasion where I wasn’t such a fan of the linguistic irony was the use of the phrase ‘walking invalid’: as a disabled person myself, I absolutely despise the word ‘invalid’, and the inclusion of this did unfortunately have an impact on my overall impression of the book.
Regardless, the story also posed some interesting philosophical questions related to our own understanding on the concept of happiness. The story sees the characters searching desperately for the aforementioned Happyland, struggling to define and explain what this state would constitute for them, and towards the end of the book, discussing the value of happiness in relation to both money and selflessness. These instances provide a moral framework to the tale, and gently encourage the reader to think about how the events that take place in the characters’ journeys may relate to their own lives in modern society today.
Finally, we can’t not talk about the incredible illustrations by Anthony Resto, featured throughout Happyland. Not only is each creation absolutely stunning, they also add a valuable visual element to Tes Mekonnen’s wacky characters. A particular favourite of mine was Cornelius Wordbook, the passively aggressive and thoroughly British fictional character with a dictionary for a head:
If you say you don’t wish for such a creature to exist in real life, you’re lying. Especially if you too are a content creator who frequently ends up with their head in their hands trying to search for the word that they KNOW they know, but don’t know. You feel me? We all need a Cornelius Wordbook in our lives.
To sum up, Happyland was a completely unique read for me. The concepts addressed throughout the story do appear to have an influence from tradition yet remain evermore relevant for life in modern society, and the heavy use of linguistic devices make this book utterly incomparable to anything I’ve read before. If you’re a fellow lover of language looking for something a little different to kick start your 2018 year of reading, Tes Mekonnen’s latest creation is definitely one for you to consider.
“I have hearing ears! Your word gives me an utmost headache. You must fill in the _______. Happiness is ineffable. Perhaps, happiness is written in a different language for you. I can only spell happiness for that is hell’s bells”.
Find out more about the author and grab your own copy of Happyland by visiting Tes Mekonnen’s website, or keep on scrolling to find out how to win a copy, plus additional goodies, for yourself…
GIVEAWAY – CLOSED. Congratulations to our randomly selected winner, Daniel Marchant!
Win yourself a signed copy of Happyland by Tes Mekonnen, plus an original illustration from the book by Anthony Resto, and a copy of Tes’ short story Blue Ivy Carter. Each of the below steps constitutes one entry into the giveaway, so enter as many or as few times as you like, and a winner will be picked from a pool of all entries on 18/01/18. UK only for this one, please!
- Follow @lifeofpippa_ on Twitter, and retweet the competition tweet.
- Follow @lifeofpippa and @tesmekonnen on Instagram.
- Like the competition Instagram post, and tag a friend in the comments. (Instagram post will be live at 7pm on 18/01)
- Leave a comment on this blog post, telling us what you’re currently reading.
Best of luck!
This blog post is a subsidised book review, with terms agreed between the author and myself. It is always a condition of mine that anything I review on my blog will be done so honestly and with integrity, or not at all. As such, all opinions expressed in this post are entirely my own. For more content like this, be sure to check out my other bookish posts too, and thanks for reading!