Chronic Illness-Friendly: 4.5/5
Having never heard of Abigail’s Party* before and deciding to see it based on the synopsis alone, I went into this show with no idea what to expect. And having come out the other side as the small cast took their bows… I still wasn’t quite sure what on Earth I’d just witnessed, but knew it was unlike any theatre experience I’d had before.
See, here’s the thing. When I use words like ‘monotonous’, ‘slow-moving’ and ‘cringe-worthy’, you’d ordinarily expect these to be negative things reflecting a sub-par performance. However, Mike Leigh’s Abigail’s Party uses these things so painfully deliberately that it was actually quite brilliant. It took me a while to warm up to this alternative performance style, and a degree of patience was required at the beginning, but when things started to shift into place in the audience’s heads, you could almost sense the entire congregation getting on board and appreciating the show all the more for it.